Rashti embroidery, a centuries-old traditional craft from Iran’s northern Gilan province, is showcasing the country’s rich artistic heritage to international visitors at a handicrafts exhibition held on the sidelines of the BRICS summit in New Delhi.

Qazvin is not simply a place that looks back at the past. It is a province looking toward the future, with the resources, infrastructure, and potential to become an important part of Iran's next chapter in tourism, trade, and investment.

The Iranian city of Anbaran in Namin County, Ardabil province, is moving closer to seeking global recognition from UNESCO for its kilim weaving tradition, with around 3,500 registered weavers currently active in the city.

Qazvin, Iran’s calligraphy capital, has preserved centuries of artistic tradition shaped by religious schools, Safavid royal patronage and master-apprentice teaching, while institutions and young artists continue keeping its rich calligraphic heritage alive.

Qale Kord Cave near Qazvin is rewriting Iran’s human history, with Neanderthal teeth, ancient tools and animal remains revealing human presence dating back at least 455,000 years, while deeper layers may reach 700,000 years.

The Kharraqan Towers in Qazvin are masterpieces of Seljuk architecture, renowned for pioneering double-shell domes, sophisticated octagonal geometry, intricate brickwork, Kufic inscriptions, and remarkably preserved early Seljuk murals.

Alamut's dramatic mountain setting, remarkable history, major archaeological discoveries, and new UNESCO recognition offer strong potential for sustainable cultural tourism and deeper engagement with Iran's medieval heritage.